REVIEW: Lore (2012)

Lore poster by Source. Licensed under Fair use via WikipediaUK Rating: 15

Release Date: 12th October 2012

Running Time: 109 minutes

Director: Cate Shortland

Genre:  Drama, romance, thriller, war film

Starring: Saskia Rosendahl, Kai-Peter MalinaNele Trebs

Made in German, but by an Australian director, Lore is a very good film, but not a very enjoyable one. Yes, it’s one of those. The titular protagonist, Hannelore (Lore), who could be a poster girl for the League of German Maidens (female equivalent of the Hitler Youth), is left holding the baby (literally) when her Nazi parents abandon them. Not just the baby, but her younger sister and even younger twin brothers. Her mother tells her to take them to her Grandmother’s in Hamburg, a distance of five hundred miles, before walking away down the road to surrender to the Americans. When they can no longer stay where they are and are forced to attempt the journey, they discover that no trains are running. They must go on foot, trading their few belongings for food – or for breastfeeding, since, making their plight even worse, the baby is not yet weaned.

Help and protection comes from an unlikely source – a young Jewish refugee, Thomas. The children’s desperation is made clear by the fact that they stick with him – for the obvious reason to do with life-long indoctrination, and for another that I cannot mention without spoilers. Lore is also struggling, in the midst of this, with her awakening sexuality, leading to an even more complicated relationship with Thomas.

This is a grim film. It paints a very believable picture of the grief, confusion, and above all, denial, that many Germans felt at Hitler’s death and Germany’s occupation. In one scene, Germans are saying to one another that the photos of the dead in the concentration camps posted by the Americans on the walls of every town are fake, that the people are actors, it’s all staged. Lore is, in a way, lucky, because, for reasons I won’t disclose, she knows for certain that this is not the case. As, one suspects, do those speaking, deep down.

The only refugee to give any help to the children, at least for free, is a woman wearing a cross around her neck, a tiny flash of humanity in an otherwise unflinching portrayal of how fear makes people look out for number one. The ending is satisfying from a Christian perspective, in that a main character appears to be coming to terms with the fact that their whole life is built on lies, and to be rejecting those lies. The film is also a powerful reminder that the enemy are people too, who can suffer, and hope, and be afraid, however misguided they are.

It is not a perfect film. It’s one of those films where the characters don’t speak much. This creates an eerie, mysterious atmosphere, but is basically taken to an unrealistic degree, and results in the viewer not feeling they really know the characters. This, in turn, blunts the emotional impact of many of the events. There are also a couple of irritating inclarities or inconsistencies, such as a pivotal scene when one character seems to need papers, but others somehow get by without.

Overall: Definitely one to watch, so long as you’re not expecting a war film with lots of bangs and explosions and running around. This is a war film all right, but its power is in its unremitting portrayal of the reality of war (or its aftermath), not in action scenes. The auditorium was full when I saw this (at a local film society) and the audience was completely silent throughout. People hardly twitched or coughed. Engrossing, albeit uncomfortable, viewing. However – not one for sensitive viewers (see below).

Sex/Violence/Profanity/etc.: A scene of lower body female nudity from the front, upper body female nudity from behind, a bare breast (during breastfeeding), several scenes of a man fondling a woman (one during rape), a scene of masturbation/fondling (the borders between the two are blurred). Two women are shown with blood-streaked thighs after (implied) rape, one of the women is dead. Another women is shown being raped, not so graphically. There are several scenes of the macabre (ants crawling on bloody skin) or of graphic wounds. A scene of a man who has committed suicide. Two murders (one by gunshot, one through bludgeoning with a rock). Photographs of concentration camp victims. Scenes of theft, sometimes with violence. The film is in German and subtitled – I do not recall any swear words in the translation, it’s possible there were some. It’s a rather engrossing film and hard to remember! Apologies if I’ve forgotten anything, but this should give you a pretty good idea the sort of thing to expect.

Have you seen this film? What did you think?


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